Kettner's Book of the Table

Every food on the Victorian table gets its history, its etymology and a strong opinion — the wittiest cookery book of 1877, written in secret by a Times leader-writer and named for London's most fashionable restaurant.

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Chantilly Basket

The original Chantilly basket was a Savoy cake scooped out and filled with whipt cream. Char The idea thus started has been elaborated into a toy. First of all, a dish or mould has to be chosen, shaped like a basket. Next a syrup of sugar is boiled to crackling point. Then the mould is lined with delicate little cakesratafias the best, which are made to stick together edge to edge by being dipt in the sugar. The bottom of the dish may be lined in like manner with sponge cakes or macaroons, to absorb any liquid from the frothed cream. basket is in this way formed which may easily be removed from the mould to a proper dish, and then filled with whipt cream.

A CHANTILLY CREAM-the French name for whipt cream; but it is very absurd to give local names to a simple preparation known to all the world. When the great ones of the earth invent a good dish let them have the credit of it; but it is mere usurpation to describe whipt cream in an epithet which represents it as the peculiar property of the House of Condé.

For the Modern Kitchen

An assembly job rather than a baking one: the whole thing hinges on sugar cooked to the crack stage, which sets hard and glues the little cakes into a self-supporting shell. Read the sugar note first.

A Little History

Kettner's, published in 1877 and generally attributed to the journalist E. S. Dallas, is as much an opinion book as a cookery book, and the closing grumble here is characteristic. Crème Chantilly takes its name from the Château de Chantilly, seat of the Condé branch of the Bourbons, and is often said to have been created by Vatel, the great maître d'hôtel who served there in the 1660s; the attribution is traditional and not documented, and sweetened whipped cream was being eaten across Europe well before the name attached itself. What Dallas objects to is the branding, not the cream. The basket itself belongs to the nineteenth-century pâtissier's habit of building edible architecture from caramel and small dry biscuits, a lesser cousin of the pièce montée that Carême had made the showpiece of the French dessert table a generation earlier.

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