The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Apple Croquettes

An apple marmalade is prepared as for apple-bread and formed by the hands into the shape of pears. Have two or three well-whisked eggs in a dish or basin, dip each croquette into this and throw them afterwards into a dish of very fine breadcrumbs. Smooth them over with a knife and dip a second time into the egg. Fry in a sautepan of very best lard until the bread colors a golden brown. Remove and place on a sieve to drain and then pile pyramid-fashion on a folded napkin and dust freely with sifted sugar which has been flavored with orange.

Rice Croquettes (Sweet.) Put one-half pint of well-washed rice into a saucepan with one pint of water, or milk and water in equal proportions, and steam for half an hour, or until the rice is quite soft. When it is still hot, add two tablespoonfuls of sugar, one teaspoonful of butter, the yolk of an egg well beaten, and a small quantity of hot milk, if required, to moisten it. Let it get cool; then make it into oval shapes, and put them into breadcrumbs, egg, and then crumbs again, and fry for a few minutes in boiling fat until done and light brown in color. After making the mixture into oval shapes, some cooks push the thumb into the center of each, and in the cavity place two boiled raisins or candied cherries, or a little jelly or marmalade, then press the rice over the hole again; then dip in breadcrumbs, after in egg, and lastly in crumbs, and fry.

For the Modern Kitchen

Two sweet croquettes from the Waldorf's larder, both built on the same principle: a stiff, cooled paste, a double breading, and a fast fry. Neither will succeed if the base mixture is loose.

A Little History

Sweet croquettes belonged to the standard repertoire of the grand hotel kitchen at the turn of the twentieth century, when a fried, breaded shape of rice, semolina or fruit paste was a cheap and showy way to close a meal or fill out a course. Oscar Tschirky, the Waldorf's celebrated maître d'hôtel, put his name to a cook book of 1896 drawn on the practice of that kitchen, and the French bones show plainly here: the apple paste shaped into pears echoes confectionery, where fruit pastes were often moulded to imitate the fruit they came from. The instruction to pile them pyramid-fashion on a folded napkin is period service — the napkin caught stray fat — and piling fried things high was a common presentation of the day.

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