The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Aspic of Oysters

Put three or four dozen large oysters into a stewpan with sufficient white wine or sherry to cover them and let cook gently until firm. Drain, trim, put them in a basin and season with a little salt and the juice of a lemon squeezed over. Set a mould in a box or tin of powdered ice and pour in a thin layer of warmed jelly. Let this set and then lay oysters symmetrically over it to within one-fourth inch of the edge all round. Pour over sufficient aspic to cover these and allow it to set and then repeat the layer of oysters until the mould is quite full, taking care that the aspic shall cover the last layer of oysters without overflowing. Allow this to stand for an hour in the ice and then dip the mould into hot water, removing quickly, and then turn out onto a cold dish. Garnish round with chopped aspic jelly or ornament with croutons of aspic in two or three colors of brown, red and yellow. Serve with a rich mayonnaise sauce.

For the Modern Kitchen

A cold buffet piece from the Waldorf's larder, built in layers so the oysters sit suspended in clear jelly. Almost everything that can go wrong here happens in the first thirty seconds of cooking.

A Little History

Aspic was the display cooking of the late nineteenth-century hotel kitchen, a way of showing off both the stockpot and the icebox at once. Before commercial gelatin was common, the jelly came from long-simmered calf's feet or fish bones, clarified with egg white until it was glass-clear; the ability to produce and hold a large clear mould said as much about a house's ice supply as about its cook. Oscar Tschirky's book of the 1890s records the Waldorf's repertoire in a period when the beds of New York harbour and Long Island still supplied the city cheaply. Cold moulded pieces like this one belonged to the buffet and the supper table, and also appeared as cold entrees in ordinary service, set out whole to be admired before they were cut into. The taste for elaborate aspic work faded through the middle of the twentieth century, hastened by the vogue for suspending less deserving foods in gelatin.

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