The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Cheese Straws

(1). Put one-half saltspoonful each of cayenne and salt into two ounces of flour; then mix in two ounces of butter, and add two ounces of grated Parmesan cheese; mix all these to a thick paste with the yolk of an egg. Roll this out to about five inches in length, cut it into rings and strips, lay them on a greased baking-sheet and bake for ten minutes in a fast oven. When they are done pass the straws through the rings like a bundle of sticks, and serve. (2). Roll thin scraps of puff paste, sprinkle over with grated cheese, fold, roll out, and sprinkle again; then repeat the process and place on the ice to harden. When cold roll out to an oblong flat an eighth of an inch thick, place it on a baking sheet, and with a pastry cutter, cut into strips four or five inches long and less than a quarter of an inch wide. Bake and serve piled in cross triangles or squares. When the paste is very hard it is necessary to cut them as narrow as possible, laying them in the pans in groups of five or six, with one stalk tied round the middle to represent a bundle of straws, and baked in that position.

For the Modern Kitchen

Two methods for the same thing: a short cheese pastry cut into straws and rings, and a quicker version using puff-paste trimmings. Both were meant as a savoury nibble, not a cracker to keep for weeks.

A Little History

Cheese straws belong to the savoury course, the small salty dish that came after the sweet at formal Victorian and Edwardian dinners, and they were also handed round with soup or with wine. The reliance on Parmesan is telling: it grated dry, kept well in a nineteenth-century larder, and carried enough flavour that two ounces would season a whole batch, though period recipes of this type just as often call for Cheshire or Cheddar, or simply for grated cheese. Oscar Tschirky was the Waldorf's maitre d'hotel rather than its chef, and his 1896 book reads like a working compilation of the hotel's repertoire, which may explain the two competing methods printed side by side, the second being frankly a way of using up puff-paste trimmings from other work. The decorative finish, straws threaded through rings or tied into faggots to mimic a bundle of sticks, reflects a kitchen culture in which presentation at the table was expected to make a visual joke out of the name of the dish.

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