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Chestnut Pudding with Fruits
Put a cheese-mould in ice and salt pounded together, keeping it well covered. Dissolve six gelatine leaves and one-half pound of sugar in a breakfast cupful of water and mix it with one pound of chestnut puree; thicken this preparation, stirring it on ice, and then add to it a mixture of preserved fruit, together with some sultana raisins and a few tablespoonfuls of maraschino. Place this in the mould which has been kept in the ice, shut it up, cover the junctures with common paste, and cover the mould with ice. In about three-quarters of an hour dip the mould in tepid water and then turn the pudding out onto a cold dish.
An iced moulded dessert from the era before mechanical refrigeration, when a sealed mould buried in ice and salt was the only freezer in the house. The method translates cleanly to a modern freezer, but the quantities need decoding.
- The hinge: set it before the fruit goes in"Thicken this preparation, stirring it on ice" is the step that decides the pudding. Chill the sweetened gelatine and chestnut mixture, stirring, until it thickens to the consistency of soft cream, then fold in the fruit. Add fruit and raisins to a thin mixture and they sink to what will become the top of the turned-out pudding.
- Cheese-mouldA lidded mould whose joints could be closed and sealed, of a shape borrowed from cheese-making; the recipe tells us only that it shuts and has junctures. A charlotte mould, pudding basin or loaf pan lined with plastic wrap does the same job; the lining makes unmoulding far more reliable.
- Ice and salt, and the common pasteRock salt pounded with crushed ice drops the temperature well below freezing point. The "common paste" is a stiff flour-and-water luting paste smeared over the seam to keep brine from seeping in. Neither is needed if you use a freezer, and the paste can be ignored entirely.
- Gelatine leavesGenuinely ambiguous. Nineteenth-century leaf gelatine varied in size and strength between makers, and six of Oscar's leaves are not reliably six modern sheets. Judge by the setting power you need for roughly a quart of mixture and test a spoonful on ice before committing the whole batch.
- Breakfast cupfulA breakfast cup is larger than a teacup, about 8 to 10 fluid ounces. Take it as a generous cup of water, used to dissolve the sugar and bloomed gelatine over gentle heat.
- Half a pound of sugarAbout 1 1/8 cups granulated. If your chestnut purée is already sweetened, this will be cloying; use unsweetened purée, or cut the sugar sharply and taste.
- Chestnut pureeThe recipe assumes plain cooked chestnuts passed through a sieve. Canned unsweetened chestnut purée is the direct equivalent; French crème de marrons is sweetened and already flavoured with vanilla.
- MaraschinoThe clear liqueur distilled from marasca cherries, stones included, not the syrup from a jar of cocktail cherries. Alcohol softens a frozen set, so a few tablespoons is the ceiling, not a starting point.
- Preserved fruitCandied and glacé fruits — cherries, apricots, citron, angelica. Chop small and rinse off surface syrup so the pieces stay distinct rather than bleeding colour into the pale purée.
- Timing and yieldThree-quarters of an hour applies to a mould packed in ice and salt; a domestic freezer needs several hours, and the pudding should be firm to the fingertip through the tin. The recipe gives no yield; a mould of this size would stretch to several servings. Dip briefly in tepid water — seconds, not a soak — before turning out onto a chilled dish.
Oscar Tschirky, the Waldorf's celebrated maître d'hôtel, published his 900-page Cook Book in 1896, and its dessert chapters are firmly in the French repertoire the hotel kitchens worked from. "Pudding" here carries its older, broader sense of anything set in a mould, and this one belongs to the family of iced and moulded chestnut sweets that also produced Mont Blanc and the marrons glacés of the same period — chestnuts being a luxury autumn ingredient in European kitchens long before canned purée made them a year-round convenience. The instructions to pack the mould in pounded ice and salt, seal the seam with flour paste and bury it again are a snapshot of pre-refrigeration technique: hotels bought ice by the ton, and a freezing mixture of ice and salt was standard equipment rather than a curiosity. The maraschino and candied fruit place it squarely in the late-Victorian grand-hotel manner, where a dessert was expected to arrive turned out whole and glistening on a cold dish.