The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Creamed Rice

Boil one teacupful of washed rice in one and one-half pints of milk until quite soft and thick; when it is about half-cooked put in some thinly-pared lemon peel chopped very small, a small quantity of grated nutmeg or a laurel leaf, and sugar to taste. When the rice is quite done, pick out the laurel leaf, pour the rice into a mould, and let it stand until the following day. Turn it out, serve with a jam round it, or a thick custard poured over it. Rice, French Style Wash well and blanch in boiling water for ten minutes one-fourth pound of rice. Boil it in a saucepan with one ounce of butter, adding three tablespoonfuls of sugar, one pint of milk, two bitter almond macaroons, one-half teaspoonful of orange-flower water, one-half ounce of orange-peel cut into shreds, about a dozen candied cherries cut into halves, and a dozen large, stoned, Muscatel raisins, also one-fourth ounce of thinly-sliced candied angelica. Pour into the mould, and when cold turn it out, and serve it with a sauce thickened with one gill of sherry, kirsch or rum.

For the Modern Kitchen

Two molded rice puddings that set on starch alone, with no gelatin or eggs — which means the rice choice and the reduction matter more than anything else.

A Little History

Molded rice puddings were a fixture of the late-nineteenth-century restaurant repertoire, the plain English "creamed rice" sitting one shelf below the elaborate French versions built on the same principle — rice simmered in sweetened milk until it will stand on its own, then dressed with fruit, liqueur or custard. The second recipe here, with its candied cherries, Muscatel raisins, angelica, orange-flower water and spirit sauce, shares its principle with riz à l'impératrice, the grand molded rice entremets often traced to French kitchens of the Second Empire, though this version leaves out the whipped cream and gelatin that later became standard. Oscar Tschirky, maître d'hôtel of the Waldorf, compiled his 1896 book largely as a working reference drawn from hotel practice and existing sources, which explains why the two recipes run together on the page with a single line of separation: they were kitchen notes first and reading matter second. A New York hotel still called bay leaf "laurel" and specified bitter-almond ratafias.

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