The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Drawn-Butter Sauce

Put in a saucepan a couple of ounces of butter, adding two tablespoonfuls of flour while stirring; pour in a pint of water, adding a little salt and pepper. Simmer at the side of the stove for half an hour until it thickens, then add gradually half an ounce of butter, beating until it becomes white, and squeeze in the juice of a lemon. Stir well, strain through a hair-sieve, and serve.

For the Modern Kitchen

A plain white sauce made with water rather than milk, finished with cold butter and lemon. It is the standard nineteenth-century accompaniment to boiled fish and vegetables, and it stands or falls on the finishing butter.

A Little History

Drawn butter is one of the oldest sauces in English-language cookery, and the name is a source of long-running confusion: in older usage "drawn" is generally said to have meant melted or clarified, and in much of America today drawn butter still means simply melted butter for lobster. But in nineteenth-century household books — and here in Oscar Tschirky's Waldorf kitchen — it had come to mean this thickened, flour-bound sauce, essentially a velouté made with water rather than stock. Its ubiquity says a good deal about the period's table: boiled fish, boiled vegetables and boiled fowl all wanted a bland, pale, faintly acid coating, and this was the cheapest one that could be produced in quantity. Badly made drawn butter — greasy, floury, undercooked — was the ruin of otherwise decent fish, and Oscar specifies the long simmer and the beating in of cold butter at the end.

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