The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Fried Lamb Chops

Pare six lamb chops and split them through the center. Fill the inside with some very fine salpicon, season with salt and pepper, close together and dip in beaten eggs, then in fresh breadcrumbs; fry for four minutes on each side in two ounces of clarified butter, and serve with one gill of hot Montglas sauce, after arranging a curled paper at the end of each chop. Lamb Chops, Maintenon Style Select six well trimmed and flattened lamb chops, season with a pinch of salt and a half a pinch of pepper, place them in a stewpan, with one ounce of butter, and fry on one side only for one minute. Cover the cooked side with a chicken forcemeat. Sprinkle over them a finely minced truffle, put them on a well-buttered baking dish, and place them in a slow oven for four minutes. Place a paper frill on the end of each chop, and serve with one-half pint of hot clear veloute-sauce poured on the dish, and the chops laid on that.

For the Modern Kitchen Do not make this as written.

Two chop preparations run together in one entry, both of them Escoffier-era restaurant cooking written for cooks who already had the sauces and forcemeats standing by. The vocabulary is the main obstacle, not the technique.

A Little History

Oscar Tschirky's 1896 collection is a working record of what a large American hotel kitchen cooked at the end of the century, and that kitchen cooked French. The Maintenon preparation — chops or cutlets masked with forcemeat and finished under gentle heat — is named for Madame de Maintenon, second wife of Louis XIV, and is generally traced to the eighteenth-century French court kitchens rather than to any documented dish of her own; the attribution is traditional, as most such names are. Montglas likewise carries an aristocratic surname attached to a garnish of tongue and truffle in Madeira, one of dozens of such coded names a nineteenth-century cook was expected to read as a full set of instructions. The two recipes together show how compressed professional writing of the period could be: neither tells you how to make the salpicon, the forcemeat, the velouté or the demi-glace, because a man reading it at the Waldorf range already had all four within arm's reach.

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