The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Mince-meat

This word evidently takes its original meaning from the French and signifies anything that is minced or chopped up fine. From the following recipes it will be seen that mince-meat may be prepared in a variety of ways, many cooks having a special recipe according to their own fancy and from which they make their mince pies. (1) Mix together one pound each of raisins, cleaned currants, apples, boiled pickled beef-tongue and flesh from calf's feet, all finely chopped; also one-half pound each of chopped beef suet and candied peel, one-half pound of sugar, one teaspoonful of mixed spices, moistening with three tumblerfuls of wine and brandy in equal proportions, together with the strained juice of two lemons. (2) Cut off about two pounds from the inside of a boiled sirloin of beef, remove the skin and add about five pounds of beef suet and mince fine. Then add eight good-sized apples peeled, cored and chopped, six pounds of cleaned currants, the grated crumb of a small loaf of bread, one and one-half pounds of sugar, one ounce of grated nutmeg, one-half ounce of cloves, the grated peel of a lemon and orange, moistening with the juice of six oranges and three lemons and two tumblerfuls each of brandy and sherry wine. Pack away in jars.

For the Modern Kitchen

Two working formulas for the meat-based mincemeat that was still standard in hotel kitchens in the 1890s. Neither is cooked as a mixture; both are raw fillings meant to mature in a cold larder and then be baked in a pie.

A Little History

The word is exactly what Oscar says it is, from the same root as the French mincier, to chop small, and the dish is a survival of the medieval English pie in which meat, dried fruit, suet and warm spices went into the same crust without anyone thinking the combination odd. Sugar was a preservative and spices were prestige goods, and the sweet-savory pie held its place on Christmas tables long after sweet and savory had parted company elsewhere on the menu. Oscar includes two full meat formulas, one leaning on pickled tongue and calf's foot. His prefatory note that "many cooks having a special recipe according to their own fancy" is the honest account of the dish, which has never had a fixed composition, only a fixed set of habits: chop fine, sweeten, spice, wet with spirits, let it stand.

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