The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Pineapple Crusts

Place in a basin one pound of the best sifted flour, make a hollow in the center and put in it half an ounce of German yeast and a tablespoonful of warmed milk. Stir in sufficient amount of flour to form a sponge, then set it to rise in a warm place. When it has risen to twice its original size, work in the remainder of the flour a teacupful of tepid milk and a couple of eggs; then add another egg, three-quarters of a pound of butter beaten until creamy, with a tablespoonful of caster sugar, a little salt and half a teacupful of warm milk; work the paste thoroughly and add eight more eggs, one at a time. Butter a plain cylinder-mould eight inches in diameter, and pour in the cake mixture and bake; when it may be turned out of the mould and left until cold. Cut into slices and lay on a baking-sheet, dredge well with caster sugar and glaze in an oven. Then peel and slice some pineapples, place in a stewpan with some thin syrup and simmer them gently; set the trimmings of the pineapple in a mortar, and pound them thoroughly, then strain through a fine sieve, and arranging the crusts and pineapple slices alternately on the dish, forming them in a circle. Boil the syrup in which the pineapples have been cooked, till it is reduced to 32 degrees, when it may be mixed with the pounded pineapple, and the whole strained through a fine hair-sieve over the crusts and pineapple. Then serve.

For the Modern Kitchen

This is a French croûte dessert in disguise: a very rich brioche baked in a tube mould, sliced, sugared and glazed, then layered with poached pineapple and a reduced pineapple syrup. The dough is the whole job — eleven eggs and three-quarters of a pound of butter into a pound of flour means the butter must go in slowly or the paste breaks.

A Little History

This belongs to a family of nineteenth-century French desserts built on croutes — slices of stale sweet bread or brioche, sugared and glazed, then arranged in a ring with poached fruit and a fruit-scented syrup. Escoffier and his contemporaries list croutes with apricots, pears, bananas and pineapple as a matter of course; the technique uses up yesterday's brioche, and the crisp caramelized surface holds up under wet fruit where plain sponge would collapse. Pineapple was still an imported luxury in late nineteenth-century America and read as a display fruit. The saccharometer instruction is a useful marker too — it points to a professional kitchen, where a pastry cook could be expected to measure syrup density as a matter of routine.

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