The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Pistachio Cake

Weigh eight eggs in their shells and allow an equal weight of caster-sugar and the weight of two eggs of potato flour and the same of pistachio nuts. Separate the yolks from the whites of the eggs and beat the yolks with the sugar; beat the whites of the eggs to a stiff snow and blanch and pound the nuts, stirring in gradually half of the potato flour, and when well beaten half of the whites of egg. When quite smooth add the remainder of the flour, the beaten whites of egg and then the pistachios. The potato flour should be sprinkled in very gradually or it will become lumpy. Pour this mixture into well-buttered cake-tins and bake in a slow oven. When done turn the cake out onto a piece of white paper and allow it to get cold; then mask it with lemon-flavored icing, smoothing it over evenly with the blade of a knife, and place in a cool oven for a minute or two to dry the icing. If desired the cake may be decorated with fancy designs in angelica, preserved cherries, etc. It should be kept in a cool place.

For the Modern Kitchen

A weight-ratio sponge of the old European school: the eggs set the scale for everything else, so a kitchen scale is not optional here. The written method is slightly garbled in the original — the pounded nuts are folded in last, as the closing sentences confirm.

A Little History

Weighing eggs in the shell and matching them with sugar, flour and nuts is the arithmetic behind the whole family of European sponge cakes — the French quatre-quarts and the Genoese and Savoy sponges all work from equal or proportional weights rather than cup measures. Potato starch in place of wheat flour was valued for an especially fine, tender crumb. Pistachios were an expensive imported luxury, valued as much for the green colour they gave a pale sponge as for their flavour; the angelica and preserved cherries named at the end belong to the same decorative vocabulary, where a cake was expected to be masked smooth and ornamented before it left the kitchen.

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