The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Potato Croquettes

Take four mealy boiled potatoes of good size and add to them half their weight of butter, the same quantity of powdered white sugar, and place them in a mortar, pounding them well together with a little salt, the grated peel of half a lemon and two beaten eggs. Then beat up the yolks of four eggs, roll up the paste in the mortar into cork-shaped pieces, and dip them into the beaten yolk, rolling them in sifted breadcrumbs, and let them stand for an hour, then dip them in beaten egg or brush it over them, and roll once again in the breadcrumbs. Fry in boiling lard or butter, after which lay them on paper to drain, and arrange them on ornamental paper, spread over a dish, garnish with parsley, and serve.

For the Modern Kitchen

Despite the name, this is closer to a sweet fritter than a savoury side: butter and sugar each at half the weight of the potato put it in dessert territory. Read the proportions carefully before you scale it.

A Little History

Oscar Tschirky's Waldorf book collects the repertoire of a large hotel kitchen at the end of the nineteenth century, and it gives considerable space to potatoes because potatoes were the one vegetable a restaurant had to produce in endless variety. The croquette itself is French in name and method — from croquer, to crunch — and by the 1890s the technique of binding a cooked purée with egg, shaping it, breading it twice and deep-frying it had been applied to almost everything a kitchen had left over. Sweet potato croquettes of this kind, flavoured with lemon zest and sugar, are usually placed in the entremets tradition rather than the meat course; they descend from the older European habit of treating the potato as a base for sweet puddings and beignets, a habit that faded in America as the potato settled firmly into savoury service.<br><br>Note also the finishing instruction: laid on paper to drain, then arranged on ornamental cut paper over a dish. That paper doily is the signature of hotel service in the period, a matter of arranging for the eye as much as the palate.

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