The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Rice Pudding with Apples

Put ten ounces of well-washed rice into a basin of boiling water, blanch, drain, refresh it in cold water, put it into a saucepan, covering to twice its height with boiled milk, and set it to boil. As quickly as it commences to cook, move the saucepan to the side of the fire, sweeten to taste, and cook gently until the rice is soft. Add a small quantity of chopped lemon peel, two or three ounces of stoned raisins and finally five or six eggs, working one well in before another is added. Let the mixture cool; sprinkle a buttered charlotte-mould over with breadcrumbs, turn in the mixture, stand it in a moderate oven, and bake it for forty-five or fifty minutes. Remove it, cut out a thin round from the top, and scoop out the inside, taking care not to leave the sides too thin. Fill the cavity with cooked minced apples, well mixed with a little apricot marmalade, place the round back in its place, turn the pudding out onto a dish over a little more of the apricot marmalade, sprinkle over some fine white sugar, and serve at once.

For the Modern Kitchen

A grand hotel pudding built in two stages: a baked rice custard hollowed out like a loaf and refilled with apple. The instructions assume a professional pastry section, so a few things need translating.

A Little History

Rice puddings enriched with eggs and hollowed for a filling belong to the classical French repertoire that Oscar Tschirky's Waldorf kitchen worked in, where such a dish would be labelled a riz or pouding de riz a la something depending on what went into the cavity. The technique of baking a starch case, cutting a lid, scooping and refilling descends from the same logic as the charlotte and the vol-au-vent: the mould is the point, and the hidden interior is the surprise. Apricot glaze under and over a moulded sweet was a common feature of nineteenth-century pastry work, valued as much for its shine as its flavour. Oscar himself was a maitre d'hotel rather than a chef, and the book gathers the house's working formulas.

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