The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Royal Sweetbread Croquettes

Put three small or two large sweetbreads into boiling water for five minutes. Chop them finely with one boiled boned chicken, adding one teaspoonful of onion juice, one tablespoonful of chopped parsley and one teaspoonful of mace. Put two tablespoonfuls of butter into a saucepan with one large tablespoonful of flour; when it bubbles add one pint of cream, the chopped mixture, and stir all together thoroughly until well heated. Remove from the fire, add the juice of half a lemon and set on one side to cool. Roll the mixture into shapes and dip them into beaten eggs and then into fine cracker-crumbs. Let the croquettes stand until dry, dip them again in egg and finally in breadcrumbs. All the crumbs should first be salted and peppered. Fry quickly in boiling fat and serve.

For the Modern Kitchen

A Gilded Age croquette in the grand manner: sweetbreads and poached chicken bound in a cream sauce, chilled, breaded twice and deep fried. The recipe assumes a cook who already knows how to handle sweetbreads and how thick a croquette panade needs to be, so both need spelling out.

A Little History

Oscar Tschirky, the maître d'hôtel whose name sold this 1896 book, was not a cook but the man who set the tone of the Waldorf's dining rooms, and the volume reads like the working repertoire of a large hotel kitchen written down for domestic use. Croquettes were everywhere in that repertoire: they turned expensive cooked meat into an elegant, uniform, plated portion that could be shaped in advance and fried to order, which is exactly what a hotel needs. Sweetbreads occupied a place in American restaurant cooking around 1900 that is hard to imagine now, appearing braised, larded, in patties and in croquettes on menu after menu. "Royal" here is menu language rather than any claim of provenance, the same impulse that produced à la reine and à la royale on hundreds of American bills of fare in the period, usually signalling nothing more precise than cream, white meat and expense.

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