The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Saddle of Mutton in Surprise

Scoop out the meat from a cold saddle of mutton, cutting it close to the bone and leaving an outside thickness of about one and one-half inches wide. Mince the meat fine with a little of the fat and mix with it two tablespoonfuls of chopped onions fried in a little butter, sprinkle over one tablespoonful of flour and one saltspoonful each of salt and pepper, add one bay leaf and a little cayenne. Pour a breakfast cupful of broth into a saucepan, stir in the meat mixture, cook gently for ten minutes and add the well-beaten yolks of two eggs. Work two pounds of boiled potatoes into a stiff paste in a basin, roll out and form into an edging round the saddle of mutton, filling the cavity scooped out of the joint with the meat mixture. Brush all over with egg, cover with breadcrumbs and brown in a quick oven on a baking sheet for a few minutes. Take it out, and serve on a dish with Spanish sauce poured round.

For the Modern Kitchen

A made-over dish built on yesterday's roast: the saddle is hollowed out, the meat rebuilt as a seasoned hash, and the whole thing returned to the oven behind a wall of potato. Two things decide whether it works — the potato paste has to be stiff enough to stand, and the egg yolks must not be allowed to boil.

A Little History

Oscar Tschirky's book belongs to the era when a great hotel kitchen and a careful private household faced the same problem from opposite ends: what to do with a large cold roast. "In surprise" — en surprise — is a term that recurs in nineteenth-century French cookery for dishes that conceal something unexpected, often a dish rebuilt inside its own original shell or shape, so that what arrives at table looks like the whole joint and turns out to be something else; the related omelette surprise is the name under which baked Alaska circulated. The technique here, hollowing a cooked saddle and refilling it with a bound mince behind a piped or moulded potato border, can be read as a refinement of the ordinary English rechauffé, and the potato wall does the work that a pastry crust would do in a pie: it holds the filling and browns handsomely. That the finishing sauce is simply called Spanish, with no recipe attached, tells you what the book assumed of its readers — espagnole was taken to need no explanation.

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