The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Supreme Garnish

This is made up of rice, fowl and truffles, seasoned and cooked as follows: Wash thoroughly two ounces of rice, drain and put it into a saucepan with two breakfast cupfuls of white broth or stock. Pound the flesh from the wing of a cooked fowl in a mortar, add to it the rice, season with a tablespoonful of salt and one teaspoonful of white pepper and cook over a moderate fire for thirty minutes; strain through a fine hair-sieve, return it to the saucepan, add half an ounce of butter and three tablespoonfuls of cream, and warm slowly on the stove without boiling. Arrange this garnish in an artistic crown-shape round a hot dish, place the supreme in the center and ornament the garnishing with thin slices of truffles; dip a little meat-glaze over it with a light hair brush, and serve. Supremes of partridges, quails or sweetbreads can all be served with this garnish.

For the Modern Kitchen

This is a purée-style garnish in the classical mode — essentially a stiff chicken-and-rice velouté piped or spooned into a ring around a plated suprême. A few of the quantities and vessels need translating.

A Little History

Oscar Tschirky's book belongs to the moment when American hotel cooking was consciously imitating the French professional kitchen, and this entry is pure Carême-descended grande cuisine: a protein set in the middle of a ring of purée, finished with truffle and a brushed film of meat glaze. The ornamental crown of forcemeat or purée — a bordure — was a standard way of building height and formality on a platter before plated service made such scaffolding unnecessary. Truffle slices used as flat decoration, cut thin and laid on in patterns, were the period's shorthand for luxury, used with a freedom no modern cost sheet would tolerate. The closing note that partridge, quail or sweetbreads may take the same treatment is characteristic of the genre: garnishes were catalogued as interchangeable modules, and a cook was expected to combine them rather than follow a fixed dish from end to end.

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