The Dixie Cook-Book

“The best is none too good.” Southern family receipts gathered across generations and printed in Atlanta in 1883 — and, in the same volume, everything else a household was expected to know: the laundry, the sick-room, dressmaking, babies, and a year's bill of fare.

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Pressed Chicken

Take one or two chickens, boil in a small quantity of water with a little salt, and when thoroughly done, take all the meat from the bones, removing the skin, and keeping the light meat separate from the dark; chop and season to taste with salt and pepper. If a meat presser is at hand take it, or any other mold such as a crock or pan will do; put in a layer of light and a layer of dark meat till all is used, add the liquor it was boiled in, which should be about one tea-cupful, and put on a heavy weight; when cold cut in slices. Many chop all the meat together, add one pounded cracker to the liquor it was boiled in, and mix all thoroughly before putting in the mold; either way is nice. Boned turkey can be prepared in the same way, slicing instead of chopping.

For the Modern Kitchen

A jellied loaf that depends entirely on the cooking liquid setting firm, so the key is to keep that liquid concentrated rather than to boil the birds in a full pot of water.

A Little History

Pressed meats belong to the era before household refrigeration, when a cooked bird had to be turned into something that would keep a few days in a cool larder and be ready to slice for supper, picnics or a cold table. The technique is a plain domestic cousin of the French galantine and of English potted and moulded meats: cook, bone, pack, weight, and let the gelatin in the broth do the setting. The instruction to keep light and dark meat separate and lay them in alternating strata is purely for looks, giving a marbled cross-section when sliced. Its appearance in The Dixie Cook Book ing of of the Midwestern Buckeye Cookery marketed to Southern readers alongside the note that boned turkey can be treated the same way, reflects a household economy in which a large bird was expected to reappear at the table in a second and more decorative form.

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