The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 132

Cream Cake Paste

Pate a Chou

Put into a saucepan half a pint of water, a grain of salt, one ounce of sugar and two ounces of butter; set the saucepan on the fire and when the butter floats, remove the pan from off the range, and incorporate into it a quarter of a pound of fine flour, stir vigorously not to have it the least lumpy, and put it back on to a slow fire to dry until it detaches easily from the bottom, then take it off once more, and mix in a tablespoonful of orange flower-water; four or five minutes later stir in four or five eggs, adding them one at the time; it must now be more consistent than otherwise, and if a little of it should be dropped from the spoon, it must retain its shape and not spread.

For the Modern Kitchen

This is Ranhofer's base pâte à choux, given as a component rather than a finished dish, so it carries no oven temperature or yield. The proportions are sound and translate directly.

A Little History

Pâte à chou is traditionally said to take its name from the small cabbage — chou — that a baked puff of it resembles. French pastry writing traditionally traces the technique to Italian cooks working in France in the sixteenth century, though that account is more legend than documented record; the paste settled into something like its modern form in the late eighteenth and early nineteenth centuries, associated with pastry chefs such as Jean Avice and Carême. Charles Ranhofer, chef of Delmonico's in New York, placed it here among the "Elementary Methods" of The Epicurean (1894) because it is a foundation rather than a dish: the same paste becomes profiteroles, éclairs, croquembouche, beignets soufflés and the tiny garnish puffs dropped into clear soups. The orange flower water is a period marker, a perfume that ran through American and French pastry of the era.