The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1560

Sweetbreads a la Montebello

Ris de Veau a la Montebello

Blanch until firm to the touch some medium-sized sweetbreads that have been in soak for a few hours, then drain, refresh and pare by suppressing all the sinews and fat. Lay them in a sautoir lined with slices of fat pork, sliced onions and carrots and a bunch of parsley, moisten to half their height with beef-stock (No. 194a), let this liquid fall to a glaze and then remoisten; cover with a buttered paper and finish cooking in a slack oven. After they are done pare and set them in oval tin rings, two and a half by five-eighths of an inch in diameter and half an inch high; let them cool off in these under the pressure of a weight. Cut up the parings into small three-sixteenths inch dice; also some mushrooms and truffles; fry a chopped shallot in butter, add to it the mushrooms, the truffles and the sweetbreads, also a little veloute (No. 415), then season; when this preparation is cold, use it to cover one side of the sweetbreads, having it well rounded on the top, cover over with a layer of cream forcemeat (No. 75), and dredge the surface with finely chopped red tongue; place the sweetbreads on a buttered baking pan, pour melted butter over and the sweetbreads in a slack oven for twenty minutes; serve a Montebello sauce (No. 502) separately.

For the Modern Kitchen

A full Escoffier-era garnished sweetbread, written for a brigade with stock, veloute and forcemeat already on hand. The work is in the sequence, not in any one step.

A Little History

This comes from Charles Ranhofer's The Epicurean (1894), the record of his decades as chef at Delmonico's in New York, and it belongs to the long French tradition of naming garnishes after battles and the men who won them. Montebello, in northern Italy, saw a French victory in 1800, after which Jean Lannes was created duc de Montebello, and a second French victory there in 1859 under Napoleon III; nineteenth-century kitchens attached such names freely to compositions, so the link between title and dish is commemorative rather than descriptive. Sweetbreads themselves were a luxury of the period, prized for their delicacy and priced accordingly, and the treatment here is characteristic of Ranhofer's method: braise, press flat, mask with a salpicon and a mousseline, gild the surface, and send a separate sauce to the table. The dependence on cross-referenced numbers - stock 194a, veloute 415, forcemeat 75, sauce 502 - shows how the book was meant to work, as a manual for a staffed kitchen where those preparations stood ready every day.