The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1570

Sweetbreads au Monarch

Ris de Veau au Monarque

Prepare and cook the sweetbreads precisely the same as for larded and glazed (No. 1575); dress in a circle on round crusts of bread two and a half inches in diameter by one quarter of an inch in thickness, and fried in butter; lay on top of every sweetbread a crown-shaped quenelle two inches in diameter and streaked with truffles, on this set a crawfish; in the center pour a garnishing composed of a salpicon of square pieces of mushroom, artichoke bottom, truffles, and foies-gras all cut the same size and mixed with Madeira sauce (No. 492); serve separately some of the same sauce.

For the Modern Kitchen

A composed presentation piece from Ranhofer's Delmonico kitchen: the sweetbread itself is cooked elsewhere in the book, and this entry is really an assembly diagram. Read it backwards — build the garnish and the quenelles first, because the sweetbreads must be served hot.

A Little History

This comes from Charles Ranhofer's The Epicurean (1894), the enormous compendium of the Delmonico's kitchen in New York, where Ranhofer was chef in two spells, roughly 1862-1876 and 1879-1896. It sits in a run of sweetbread preparations bau Chancelier, au Monarque, English Style bebut by garmish, which is exactly how the classical French repertoire organised itself: one base preparation, dozens of named dress-ups honouring patrons, dignitaries or occasions. "Au Monarque" carries no documented namesake and is best read as a claim about grandeur rather than about a person. Veal sweetbreads were a luxury item of the period, prized for delicacy and demanding a good deal of unglamorous preparation, and the piling of quenelle, crayfish and truffled salpicon onto a fried crouton reflects the era's taste for vertical, sculptural service. Truffles and foie gras appear here as they do throughout the book, as markers that a dish belongs to the top of the menu.