The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2277

Escalops of Beef Palates with Puree of Chestnuts

Escalopes de Palais de Boeuf Puree de Marrons

Prepare and cook the beef palates the same as for palates a la bechamel (No. 1326); when cold and pressed cut them into oblongs two and three-quarters inches by one and one-half inches. Cover both sides of the pieces with a layer of delicate chicken quenelle forcemeat (No. 89), mixing in with it an equal quantity of cooked fine herbs (No. 385). Dip in eggs and fresh bread-crumbs, and fry them to a fine color. Dress them crown-shaped, and garnish the center of the crown with a consistent puree of chestnuts (No. 712).

For the Modern Kitchen

Ranhofer writes in cross-references, so this short paragraph conceals a two-day job: the palates must be cleaned, braised until tender and pressed flat before any of the work described here begins. Everything after that is straightforward breading and frying.

A Little History

Beef palate belongs to the long French tradition of turning cartilaginous offcuts into refined garnish, alongside cockscombs, calf's ears and lamb's tongues. Its appeal was texture: braised and pressed, it takes on a firm, faintly gelatinous bite that holds a coating well and carries sauce without falling apart, which is why it recurs throughout Carême and Gouffé and then in Charles Ranhofer's The Epicurean (1894), the record of his three decades at Delmonico's in New York. The chestnut purée dates the dish to the autumn and winter service; chestnuts were a seasonal staple in the French kitchen and appeared as a purée, a garnish for game, and a stuffing. That an American restaurant could offer prepared beef palates at all says something about the scale of a nineteenth-century hotel kitchen, where a brigade had the hands to spend two days on a single garnished entrée among dozens on the card.