The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3444

Bomb Streaked with White and Black Coffee

Bombe Panachee au Cafe Blanc et Noir

White Coffee.—Set into a high saucepan three gills of thirty-two degree syrup and three and a half gills of water, adding six ounces of freshly roasted coffee; cover the saucepan tightly and leave the coffee infuse in the syrup for three hours in a bain-marie. Place fourteen egg-yolks in a basin, whip them gradually with the coffee infusion and cook on a slow fire; strain the preparation when done and beat it well on ice, mixing in half as much well-drained whipped cream.

Black Coffee.—Put fourteen egg-yolks in a tinned copper basin, dilute with three gills of thirty-two degree syrup and three gills of very strong coffee, made with two ounces of ground Java, Maracaibo and Mocha; finish it exactly the same as the white coffee.

Divide a bomb mold with a tin partition to separate it perpendicularly into two compartments; put the white coffee preparation in one, remove the tin and replace it with a waffle of the same size; finish filling the mold with the black coffee preparation, having the mold quite full. Cover with paper, then with the lid and pack well in ice; leave it to freeze, allowing an hour and a half for two quarts; remove from the ice, turn it out on a folded napkin and surround with small coffee lady bouchees (No. 3376), then serve.

For the Modern Kitchen

Ranhofer assumes a professional pastry kitchen: syrup measured by hydrometer, a copper basin, and a bombe mold packed in a pail of ice and salt. The quantities are for two quarts and scale down cleanly by half.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and its ices section is one of the most elaborate in the book: dozens of numbered bombes, each a molded composite meant to be turned out whole at table. Bombe is generally traced to the spherical, cannonball-like molds used when the form emerged in nineteenth-century France; by Ranhofer's day the molds were more often tall and domed, but the name stuck. Panachée means variegated or plumed — striped, streaked, parti-colored — and describes a bombe built in visible sections. The three coffees named here, Java, Maracaibo and Mocha, were familiar fine-coffee names on the late nineteenth-century American table, and the call for freshly roasted coffee for the infusion reflects a kitchen that roasted and ground its own.