The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3577

Rice a la Ristori

Riz a la Ristori

Coat a dome-shaped mold with vanilla ice cream (No. 3458), range on the bottom a layer of crushed candied chestnuts, over these a bed of chocolate mousse (No. 3473), then another layer of chestnuts and apricot marmalade (No. 3675); finish filling with a light burnt almond cream (No. 3455). Have the mold quite full, forcing the cover on tightly, pack in salted ice and freeze for three-quarters of an hour. Unmold on a garnishing of thoroughly boiled rice macerated in an eighteen-degree vanilla syrup; serve a sauce-boatful of apricot maraschino sauce at the same time.

For the Modern Kitchen

This is a bombe in the classic Delmonico's manner: a lined mold filled in strata, frozen solid, turned out onto a garnish. Ranhofer writes in cross-references, so the whole thing depends on components built elsewhere in the book.

A Little History

Charles Ranhofer ran the Delmonico's kitchen through the decades when New York fed and flattered every visiting celebrity, and the practice of naming an elaborate frozen dish after the guest of honor was standard in the house. Adelaide Ristori, the Italian tragedienne whose American tours in the 1860s and after made her a fixture of the theatrical press, is the likely namesake. The construction itself belongs to the high nineteenth-century bombe: a mold masked with one ice cream, filled with mousses and creams in strata, and frozen in a brine pack, so that the interest lies as much in the cut face as in the flavor. Chestnut, chocolate, apricot and praline in one dome is the sort of accumulation The Epicurean takes for granted and later cookery quietly abandoned.