A Calendar of Dinners

Marion Harris Neil's calendar of dinners — a year of menus and 615 recipes, one Crisco kitchen at a time.

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For Croquettes

2 tablespoonfuls Crisco 1 can or 14 ears corn 2 tablespoonfuls flour 2 cupfuls milk 1/2 teaspoonful sugar Pepper and salt to taste 1 egg Breadcrumbs For chicken. Draw, wash and dry chicken, then cut into neat joints, sprinkle with salt and pepper. Heat Crisco in frying pan, add clove of garlic and pepper cut in small pieces. When garlic turns brown take out, put chicken in, fry till brown, then cover closely, allow to simmer till ready. A short time before covering chicken, add tomatoes peeled and cut in small pieces. For croquettes. Drain liquor from can of corn, or grate ears, and chop kernels fine. Blend Crisco and flour together in pan over fire, add milk, stir till boiling and cook five minutes, stirring all the time, add seasonings, and corn, and cook five minutes, then allow to cool. When cold, form lightly with floured hands into neat croquettes, brush over with beaten egg, toss in crumbs and fry in hot Crisco to a golden brown. Drain. Place chicken on hot platter, garnish with croquettes and serve hot.

For the Modern Kitchen

Two dishes printed as one: a skillet chicken and the corn croquettes that garnish it. Only the croquettes get a proper ingredient list, so the chicken side has to be read as a method rather than a formula.

A Little History

A Calendar of Dinners was written by Marion Harris Neil and issued by Procter & Gamble in the years after Crisco went on sale in 1911 — a cookbook whose real purpose was to teach American cooks that a hydrogenated vegetable shortening could stand in for both butter and lard, in pastry, in a white sauce and in the deep-fat kettle. That agenda explains why one modest page calls for Crisco three separate ways. The croquette is often said to have been near the peak of its respectability at the time: a stiff cream sauce bound with flour, loaded with something chopped fine, chilled, breaded and fried, it turned leftovers or a can of corn into a dish that looked composed on the platter. Serving them as a garnish around a bird, rather than as a course of their own, seems to have been common enough in the period's dinner-table style, where the visual arrangement of the platter is generally said to have counted for as much as the cooking.

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