Mackenzie's Ten Thousand Receipts

Ten thousand receipts from the great Victorian household compendium — cookery, brewing, dyeing, gilding, fireworks, medicine, farriery and the rest of the useful arts, in one volume.

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Confectionery (This is made by boiling)

This is made by boiling lemon-peel with sugar, and then exposing to the air until the sugar crystallizes. To Color Candied Sugar.

Red. Boil an ounce of cochineal in half a pint of water for five minutes, add an ounce of cream of tartar, 1/2 an ounce of pounded alum, and boil them on a slow fire ten minutes; if it shows the color clear on white paper, it is sufficient. Add 2 ounces of sugar, and bottle it for use.

Blue. Put a little warm water on a plate, and rub an indigo-stone in it till the color has come to the tint required.

Yellow. Rub with some water a little gamboge on a plate; or infuse the heart of a yellow lily flower with milk-warm water.

For the Modern Kitchen Do not make this as written.

The first sentence is a serviceable sketch of candied lemon peel, but everything after it is a set of nineteenth-century dyer's colours applied to food, and two of the three have no place near anything that will be eaten.

A Little History

Mackenzie's Ten Thousand Receipts was a compendium that drew as freely on the dyer's, the apothecary's and the painter's trades as on the kitchen, and this page shows the seam. Gamboge, indigo and cochineal were all sitting on the same colourman's shelf in the early nineteenth century, sold to artists and to confectioners alike, and the notion that a substance safe on paper was safe on a sweet, though challenged early — Fredrick Accum's 1820 treatise on adulteration already singled out mineral-coloured confectionery — was not widely acted upon until mid-century food-adulteration scandals in Britain: Arthur Hill Hassall's microscope work in the 1850s and the poisonings traced to mineral-coloured comfits forced the question. Confectionery was among the worst offenders precisely because bright colour was the selling point: greens from copper, yellows from lead chromate and gamboge, reds from vermilion. Cochineal, an insect dye carried into Europe from Mexico after the Spanish conquest, is the one colour on this list that survived the reckoning, and it is still on ingredient labels today as carmine.

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