Ninety-Nine Salads and How to Make Them

Ninety-nine salads and how to make them — the 1890s salad course, dressing by numbered dressing.

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Chicken Aspic Salad

Cold cooked chicken, aspic jelly, water cress, olives, mayonnaise dressing. Cut cold cooked chicken in neat pieces. Cover the bottom of a mould with the aspic jelly, put on ice and when hard add a layer of the chicken, which has been seasoned, and a little of the aspic to keep it in place, then add enough to cover it. Repeat till the mould is full. Garnish with water cress and olives. Serve with mayonnaise dressing.

Aspic Jelly for Salads.

Three pints of soup stock, one box of gelatine, one cupful of white wine and water, or water and lemon juice, whites and shells of two eggs. Soak the gelatine in the water and wine or water and lemon juice until soft. Add it to the soup stock--beef if for dark jelly, and veal or chicken if for light. Season highly, and mix the whites and shells of two eggs with the stock when cold. Cook all together until hot, stirring all the time. Let it boil till a thick scum has formed; remove it, and strain through a napkin.

For the Modern Kitchen

A straightforward layered chicken aspic, with the jelly recipe attached. Nearly everything hinges on getting the gelatine ratio and the setting sequence right.

A Little History

Moulded aspics of this kind were a fixture of late nineteenth- and early twentieth-century American entertaining, and a cookbook devoted entirely to ninety-nine salads is itself a sign of the era: the composed, chilled, decorated salad had become a course in its own right rather than a bowl of dressed greens. Commercial granulated gelatine is what made such dishes practical in an ordinary household, replacing the day-long business of boiling calves' feet for stock that would jelly. The word aspic comes into English from French, where the connection to the asp is usually explained as a reference to the mottled, snakeskin look of a clear jelly set with garnish inside it, though that etymology is traditional rather than settled. The instruction to use beef stock for dark jelly and veal or chicken for light reflects a kitchen that kept several stocks going at once and expected the cook to match the jelly to what it enclosed.

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