The American Pastry Cook

Jessup Whitehead's American Pastry Cook — the hotel pastry trade's own manual, in hundreds of numbered recipes.

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Richest Fruit Cake-Black Cake

Prepare the fruit first. 2 1/2 pounds of seedless raisins. 2 1/2 pounds of clean dry currants. 1 1/2 pounds of citron, shred fine. 2 ounces of mixed ground spices-cinnamon, cloves, nutmeg and mace. 1 small cupful of strong black coffee. 1 small cupful of reboiled molasses. 1 small cupful of brandy. 1 tablespoonful of extract of lemon.

A small addition of almonds, nuts, candy, or cut figs can be made if wished. Then mix the cake batter: 14 ounces of sugar. 14 ounces of butter. 11 eggs. 18 ounces of flour. Mix up same as pound cake, after the flour is all in add the 2 ounces of spice, then the coffee, molasses, brandy and lemon extract. The batter will then be quite thin. Dust the fruit well with flour and and mix it in. Line two cake molds with buttered paper and divide the mixture into them. Set the molds in the middle of a sheet or two of greased paper, gather it up around them and tie with twine, thus wrapping the molds in paper to shield them from too much heat and avoid burning the fruit. Bake from 2 to 2 1/2 hours in a slack oven.

The black cake above should be at least 2 or 3 days old before it is cut. The amount of cake batter only serves to hold the fruit together, but, it ought to be mentioned, the quantity of the pound cake mixture in it may be doubled and all the other ingredients remain the same and it will still be a very rich black cake.

For the Modern Kitchen

A true black cake in the old proportion: roughly seven pounds of fruit held together by about three pounds of batter. Everything here is weighed, so a scale is not optional.

A Little History

Black cake belongs to the long line of British plum cakes that crossed the Atlantic and grew heavier and darker on the way, the colour coming from molasses, burnt sugar or long-macerated fruit rather than from chocolate. The same lineage produced the rum-soaked black cakes still central to Caribbean celebration baking. The professional voice here is telling: the weighing in pounds and ounces, the thinking in terms of two molds at a time, and the closing note that the batter may be doubled while the fruit stays the same all suggest a writer accustomed to working at scale rather than in a domestic kitchen. That last remark also reveals the period's measure of quality, in which the less cake there is relative to fruit, the richer the cake is understood to be.

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