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Pommes Chateau
Take twenty potatoes, turn them with a knife into olive shape, boil them in salted water for five minutes; drain them and put them on a baking-tin with salt and butter or dripping. Cook them in a very hot oven for thirty minutes, moving them about from time to time. Sprinkle on a little chopped parsley before serving.
A classic turned-and-roasted potato, written for a coal range and a cook who could shape a potato in seconds. The technique survives unchanged in professional kitchens.
- "Turning" the potatoesCutting a seven-sided barrel or olive shape about 2 inches long, done with a small paring or turning knife. The point is uniform size so everything browns at the same rate; if you would rather not, cut even 1½-inch chunks and accept less elegant results. Save the trimmings for soup or mash, as a good deal of the potato -- up to about half -- is lost.
- Which potatoA firm, waxy or all-purpose potato holds the shape; a floury baking potato crumbles under the knife and collapses in the parboil.
- "A very hot oven"450-475F. At less than that the surfaces steam rather than crust, and the thirty minutes will not be enough.
- The five-minute parboilThis is the hinge. It sets the outside just enough to take colour without letting the potato go soft; drain thoroughly and let the steam dry off for a minute before they meet the fat, or they will spit and stew.
- DrippingBeef or pork dripping, the ordinary roasting fat of the period. Clarified butter, duck fat or a neutral oil all work; whole butter alone will brown too fast at this heat.
- Fat quantityThe recipe gives none. Enough to coat every surface and film the tin, roughly 3-4 tablespoons for this quantity, turning the potatoes in it before the tin goes in the oven.
- "Moving them about"Shake or turn the tin every ten minutes so each face gets contact with the hot metal. Use a single layer with space between; crowded potatoes steam.
- ParsleyAdd it off the heat, at the moment of serving. Sprinkled on earlier it scorches and turns bitter.
Pommes château is one of the fixed forms of French classical garnish, and it travelled into Belgian and English kitchens with the professional repertoire. The turned shape had a practical logic in a kitchen brigade: a standard size meant standard cooking time, and the discipline of turning vegetables was one of the first things an apprentice was set to.