The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

HomeThe Waldorf Kitchen › Boiled Capon

Boiled Capon

Draw a fat capon, be careful not to remove the fat from the rump; peel about one-half pound of truffles, boil them in a little Madeira; take the trimmings of the truffles and pound them with an equal amount of breadcrumbs, add half a goose's fat liver, the whites of two eggs, and a few tablespoonfuls of scarped bacon; rub through a sieve. Truss the capon with its legs forced under the skin, rub it with lemon, and tie on it thin slices of bacon fat: put it in a pan with some slices of vegetables and bacon. Place in sufficient white broth to cover, and over all a piece of buttered paper, and boil gently. When cooked drain and take off the string. Put a layer of the forcemeat on a dish, put the capon over and garnish both sides with white cocks-combs.

For the Modern Kitchen

A grand-hotel poached bird, written for a brigade that had truffles, foie gras and a stockpot of white broth already on hand. Two things carry it: the poaching liquid never actually boils, and the forcemeat must be cooked before it reaches the plate.

A Little History

Oscar Tschirky's Cook Book (1896) records the repertoire of a New York hotel that was, in menu terms, a French kitchen with an American address, and this capon is straight out of the classical poulet pochpoached in white stock, kept deliberately pale, and dressed with truffle, foie gras and cockscombs as marks of expense. Capons were often regarded as a luxury bird of the period, castrated young so they grew heavier and fatter than a cock and finer-grained than a hen, and they appear across nineteenth-century menus wherever a household wanted something more impressive than chicken and less gamey than goose. Cockscombs, blanched, peeled and simmered white, were a garnish of long standing in French cookery and turn up constantly in hotel work of the 1890s; their disappearance from restaurant plates over the following century is as good a marker as any of how far the ornamental side of grand-hotel cooking has receded.