The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Boiled Capon

Draw a fat capon, be careful not to remove the fat from the rump; peel about one-half pound of truffles, boil them in a little Madeira; take the trimmings of the truffles and pound them with an equal amount of breadcrumbs, add half a goose's fat liver, the whites of two eggs, and a few tablespoonfuls of scarped bacon; rub through a sieve. Truss the capon with its legs forced under the skin, rub it with lemon, and tie on it thin slices of bacon fat: put it in a pan with some slices of vegetables and bacon. Place in sufficient white broth to cover, and over all a piece of buttered paper, and boil gently. When cooked drain and take off the string. Put a layer of the forcemeat on a dish, put the capon over and garnish both sides with white cocks-combs.

For the Modern Kitchen

A grand-hotel poached bird, written for a brigade that had truffles, foie gras and a stockpot of white broth already on hand. Two things carry it: the poaching liquid never actually boils, and the forcemeat must be cooked before it reaches the plate.

A Little History

Oscar Tschirky's Cook Book (1896) records the repertoire of a New York hotel that was, in menu terms, a French kitchen with an American address, and this capon is classical in method: poached in white stock, kept deliberately pale, and dressed with truffle, foie gras and cockscombs as marks of expense. Capons were often regarded as a luxury bird of the period, castrated young so they grew heavier and fatter than a cock and finer-grained than a hen, and they appear across nineteenth-century menus wherever a household wanted something more impressive than chicken and less gamey than goose. Cockscombs, blanched, peeled and simmered white, were a garnish of long standing in French cookery and turn up constantly in hotel work of the 1890s; their disappearance from restaurant plates over the following century is as good a marker as any of how far the ornamental side of grand-hotel cooking has receded.

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