The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Patties Financiere

Butter twelve fluted deep patty pans, line them with short paste, then with paper, fill them with flour and bake in a moderate oven. When done remove the paper and flour, coat them inside with a thin layer of forcemeat, and set them at the entrance of the oven to keep warm. Roll out some puff paste and cut twelve rounds out of it the same size as the inside of the patty; brush over with beaten egg, mark lines across the top with a sharp pointed knife, and bake till lightly browned; prepare a mixture of little scallops of fat livers and truffles, some cocks' combs and small quenelles; put it in a saucepan with a little reduced brown sauce and warm thoroughly, but do not let it boil. Fill the patties with the mixture, previously turning them out of the pan; put on the covers of puff paste, arrange them on a folded napkin, garnish with parsley, and serve hot or cold.

For the Modern Kitchen Do not make this as written.

An Escoffier-era garnish served in pastry cases, written for a brigade that had demi-glace, forcemeat and quenelles already standing by. The work is almost entirely in the components; the assembly takes minutes.

A Little History

Financière is one of the named garnishes of nineteenth-century French cookery, a fixed set rather than a free improvisation: cockscombs and kidneys, truffle, mushrooms, quenelles and sometimes olives, bound with a Madeira-scented brown sauce. The name is generally traced to the wealth of the ingredients rather than to any particular financier, and it appears in Carême's and later Escoffier's repertoires as a filling for vol-au-vents, timbales and small patty cases like these. Its presence in the kitchen chapter of a grand New York hotel book at the end of the century reflects how closely American hotel dining followed the French canon. The dish survives mainly as a museum piece now, less because it is difficult than because two of its defining ingredients have largely left the market.

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