The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Stewed Stuffed Ribs of Pork

Select a young loin of pork and joint the bone; peel, core, and cut into quarters enough cooking apples, and stuff the pork with them, trussing it so as to keep them in securely; lay the meat on a baking dish, baste with a few tablespoonfuls of warmed butter, and bake in a brisk oven until lightly browned all over. Then lay the meat in a stewpan, pouring in a breakfast cupful of clear, boiling broth over it, put on the lid, and keep it at the side of the fire, stewing slowly for a little more than two hours, basting the meat frequently, and adding a little water from time to time, as it becomes reduced by the boiling. When the meat is done place it in a hot dish, skim off the fat from the cooking liquor, and strain through a fine hair sieve over the pork.

For the Modern Kitchen

A two-stage braise: browned dry in a hot oven, then stewed slowly in broth with an apple stuffing packed into the rib bones. A few of the directions assume a coal range and a butcher who works to order.

A Little History

Oscar Tschirky, maitre d'hotel of the Waldorf and later the Waldorf-Astoria, put his name to *The Cook Book by "Oscar" of the Waldorf* in 1896, a sprawling volume that mixed hotel dishes with the plain domestic cooking of the period -- which is what this is. Pork with apple is one of the oldest of European pairings, the fruit's acidity cutting fat that older, fattier hog breeds had in quantity; here the stuffing goes directly into the jointed rib bones rather than being served as a separate sauce. The two-stage method here, dry heat for browning followed by a slow covered stew, is a braise in all but name, and the direction to keep the pot "at the side of the fire" marks a period style rather than fixing a date: such language belongs to a solid-fuel range, where cooks controlled heat by moving the pot rather than turning a dial, though it persisted in print for decades after ranges themselves changed.

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