The Cook Book by “Oscar” of the Waldorf

Three thousand recipes from the maitre d'hotel of the Waldorf — the hotel kitchen that taught Gilded Age America how to dine, from beef tea to watermelon with champagne.

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Stuffed Pears

Select a large pear, not too ripe, and peel it, but do not remove the stalk. Cut the pear lengthwise about two-thirds of its height from the side on which it is lying. Take out the inside with a vegetable-spoon. Cook the pieces of pear by boiling in a little sugar and water, but keep them firm, and leave in the syrup till cold. Drain the pear on a cloth. Put a layer of cooked rice and cream on a dish, put the thick part of the pear on it, fill the hollow with a salpicon of fruits thickened with a little apricot marmalade, put the other piece of pear on the top, and arrange a circle of crystallized green gages round it. Reduce the syrup flavor with a little vanilla extract, and pour it, when cold, over the pear.

For the Modern Kitchen

A composed French dessert written in kitchen shorthand: a poached pear lid-cut and stuffed, set on rice pudding and glazed with its own reduced syrup. Almost everything here is assembly, so the only real cooking question is how firm the pear stays.

A Little History

Oscar Tschirky ran the dining rooms of the Waldorf and then the Waldorf-Astoria, and his 1896 cook book records the grammar of a late nineteenth-century American hotel kitchen working in French. Stuffed pears of this kind belong to the family of fruit desserts built on a bed of sweet rice — the Condé presentations codified in French professional cooking of the period — where the rice supplies body, the poached fruit the centrepiece, and candied fruit the colour. The greengage in the garnish points to the same world: a green-gold dessert plum, generally traced in England to Sir Thomas Gage's plantings in the early eighteenth century and known in France as Reine Claude, which confectioners crystallized in quantity. That such a dish is written out portion by portion, with no yield and no quantities, tells you who the book was really for: cooks who already knew what a salpicon was and needed only the arrangement.

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