The Dixie Cook-Book

“The best is none too good.” Southern family receipts gathered across generations and printed in Atlanta in 1883 — and, in the same volume, everything else a household was expected to know: the laundry, the sick-room, dressmaking, babies, and a year's bill of fare.

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Four-Fruit Jelly

Take equal quantities of ripe strawberries, raspberries, currants, and red cherries, all should be fully ripe, and the cherries must be stoned, taking care to preserve the juice that escapes in stoning, and add it to the rest. Mix the fruit together, put it into a linen bag, and squeeze it thoroughly; when it has ceased to drip, measure the juice, and to every pint allow a pound and two ounces of the best loaf-sugar, in large lumps. Mix the juice and sugar together; put them in a porcelain-lined preserving kettle, and boil for half an hour, skimming frequently. Try the jelly by dipping out a spoonful, and holding it in the open air; if it congeals readily it is sufficiently done. This jelly is very fine. - Mrs. E. S. Miller.

For the Modern Kitchen

A pre-pectin jelly that works because currants and slightly underripe cherries carry the set themselves. Everything hinges on the sugar-to-juice ratio and knowing when to stop boiling.

A Little History

Four-fruit jelly is generally traced to the French gelée de quatre fruits, a summer preserve built from whatever ripened together in late June and early July: strawberries, raspberries, currants and cherries, which in much of the northern hemisphere overlap by a week or two. The combination is practical as much as it is pretty, since red currants are sour and pectin-rich while strawberries are sweet and pectin-poor, and mixing them gives a jelly that sets firmly and still tastes of fruit. Recipes of this kind fill the jelly chapters of American community cookbooks of the 1880s, The Dixie Cook Book among them, because commercial bottled pectin did not reach home kitchens until the 1910s; until then a cook had to know which fruits would jell and hedge her bets by blending them. The attribution to Mrs. E. S. Miller is typical of the book, which carries named contributions rather than anonymous ones.

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