The Dixie Cook-Book

“The best is none too good.” Southern family receipts gathered across generations and printed in Atlanta in 1883 — and, in the same volume, everything else a household was expected to know: the laundry, the sick-room, dressmaking, babies, and a year's bill of fare.

HomePreserves › Peach Marmalade

Peach Marmalade

Choose ripe, well-flavored fruit, and it is well to make with pre. serves, reserving for marmalade those that are too soft. The flavor is improved by first boiling the pits in the water with which the syrup is to be made. Quarter the peaches and boil thirty minutes before adding sugar, stirring almost constantly from the time the peaches begin to be tender; add sugar in the proportion of threefourths pound sugar to one pound fruit, continue to boil and stir for an hour longer, and put up in jars, pressing paper over them as directed for jellies.

For the Modern Kitchen

A plain long-boil peach marmalade with no added pectin: the set comes entirely from evaporation and the fruit's own pectin, which is why the times look so long. The proportions are workable, but two of the instructions belong to a sealing tradition that has been abandoned.

A Little History

The Dixie Cook-Book touches on the problem of a Southern summer: fruit arriving faster than a household could eat it, in a climate where it spoiled within a day or two. The frank instruction to reserve the best peaches for whole preserves and send the over-soft ones to marmalade is the economics of a home orchard rather than a market — soft fruit will not hold its shape in syrup, but it breaks down beautifully into a mass. The word marmalade reached English from Portuguese marmelada, a stiff quince paste, and only later narrowed in British usage toward citrus; in nineteenth-century American books it still means any fruit cooked to a thick pulp with sugar. Preserving at this sugar level, in these quantities, was the standard method before home canning with sealed glass and a water bath became routine in the early twentieth century, and the paper cover at the end of this recipe is a relic of that older practice.

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