The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1023

Frogs' Legs Royer

Cuisses de Grenouilles a la Royer

Fry in two ounces of butter, one pound of trimmed frogs' legs with a teaspoonful of chopped onions added; when done, cover them with an espagnole sauce (No. 414) and half as much tomato sauce (No. 549); reduce and season to taste. Broil some slices of bacon, cut them up into squares; dress the frogs' legs, dredge over with chopped parsley and surround with the pieces of bacon to form a border.

LOBSTER (Homard).

A large sea crawfish, the cuirass being strewn with blue spots more or less big on a reddish foundation which covers a white tissue. This crustacean is not very fleshy, feeds but little and is very difficult to digest; when cooked it turns red. Its claws and tails are the only meaty parts and are excellent for food.

Spiny Lobster (Langouste), Palinurus Locusta.—The spiny lobster has two large horns in front of its eyes, two others underneath and it is with these it catches and draws toward it the fish on which it feeds. Its back is covered with prickles and very rough. During the winter this crustacean lives in the deep ocean and is very common in the Mediterranean sea. Its meat can only be digested by robust stomachs and it always requires to be highly seasoned.

For the Modern Kitchen

Ranhofer writes for a brigade with a stockpot always going, so the two mother-sauce cross-references do most of the work here. Once you have the sauce sorted, the dish is fifteen minutes' work.

A Little History

Charles Ranhofer ran the kitchen at Delmonico's in New York for more than thirty years, and The Epicurean (1894) is essentially that restaurant's working repertoire set down in print. Frogs' legs were a Delmonico signature: the house is generally credited with putting them on American menus in a serious way at a time when they were still regarded as a French affectation, and Ranhofer gives them a run of numbered preparations here. The "Royer" of the title is one of the many personal dedications scattered through the book, a habit of the period in which a dish was named for a patron, a colleague or a visiting dignitary; who Royer was is not recorded in the text. The construction is pure haute-cuisine shorthand of its day: take a delicate white flesh, nap it in espagnole sharpened with tomato, and frame it on the platter with a garnish that supplies salt and colour.