The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1431

Tournedos of Tenderloin of Beef a la Bretigny

Tournedos de Filet de Boeuf a la Bretigny

Prepare and cook the tournedos as for plain (No. 1430); glaze them, then lay them on a dish, one slice overlapping the other. Split through the back as many reedbirds as there are tournedos, preparing them as follows: Bone them, season with salt, pepper, saute them on a quick fire while the tournedos are being prepared. Garnish one side of the meat with sweetbread minced and fried in butter with fine herbs and lemon juice, and the other side with sliced mushrooms, fried in butter with fine herbs (No. 385) and lemon juice, dress the reedbirds on both ends. Pour a little Madeira sauce (No. 492), with truffle essence (No. 395) into the bottom of the dish, and serve some of the same sauce in a separate sauce-boat.

For the Modern Kitchen Do not make this as written.

The beef, sweetbread and mushroom elements of this dish are ordinary restaurant work, but the garnish is not: reedbirds are bobolinks, and killing or possessing them is illegal in the United States and Canada.

A Little History

The Epicurean (1894) records the kitchen of Delmonico's in New York under Charles Ranhofer, and its beef chapter runs through tournedos dressed in a long series of named styles, each a permutation of garnish and sauce built on the same plain preparation. Reedbirds appear in a number of places in the book because they were then a genuine market commodity: bobolinks fattened in the rice fields and tidal reed marshes of the Atlantic coast were shot and netted in quantity during the late-summer and autumn migration and sold by the dozen in city markets, and American cookbooks of the period treat them much as European ones treat larks and ortolans, split, boned and served whole as a small luxury. Their disappearance from cookery follows the collapse of market hunting and the protective legislation of the 1910s, culminating in the Migratory Bird Treaty Act of 1918. The name "a la Bretigny" follows the French convention of attaching a place or personal name to a fixed garnish; no particular commemoration is traceable here.