The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1488

Breast of Veal a la Mondoux

Poitrine de Veau a la Mondoux

Procure a white and fat breast of veal; cover a baking pan with minced carrots and onions, fragments of fat pork and a garnished bouquet; lay the breast on top, moistening to its heighth with stock; first boil then cook it in a slack oven for three hours, being careful to turn it over several times during this period. When the breast is well done, remove the hard ribs, leaving on the gristle; set it under a weight, and when nearly cold bread-crumb them English style. Butter liberally a baking sheet, lay the meat on top, sprinkle over with more butter, then brown it nicely in a slow oven. Dress on a long dish and range around a garnishing composed of tomatoes cut in halves and the moisture extracted, shredded green peppers, chopped onions and a clove of garlic, the whole fried in butter and diluted with a little veloute, nicely seasoned and besprinkled with chopped parsley.

For the Modern Kitchen

A two-day braise-and-crumb dish from Ranhofer's The Epicurean (1894): the breast is cooked long and slow in stock, pressed flat until cold, then breaded and browned. The pressing is the hinge — without it the meat will not slice cleanly or hold its crust.

A Little History

Charles Ranhofer ran the kitchen at Delmonico's in New York for some three decades, and The Epicurean is essentially the restaurant's working repertoire set down in print — which is why the veal section runs to a long series of breast preparations distinguished only by garnish and finish. Breast of veal was the cheap, gelatinous, awkward cut, and the classic French treatment was exactly this: braise it soft, bone it, press it flat until cold so it can be cut into neat shapes, then crumb and brown it so an inexpensive cut arrives looking like a cutlet. The name Mondoux is one of the many personal or fanciful labels Ranhofer attaches to garnishes without explanation; unlike Bourdaloue or Gastronome it has no established place in the classical repertoire, and its origin is not documented. What the garnish itself tells you is more useful — halved tomatoes with the seeds and liquid squeezed out, green peppers, onion and garlic fried in butter mark this as one of the sunnier, southern-French-inflected garnishes.