The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 17

Butter for Buttering Molds

Beurre Pour Beurrer les Moules

Melt one pound of veal kidney suet by chopping it up finely, then putting it into a saucepan with half a pint of water on a slow fire, stir occasionally to prevent its fastening on to the bottom of the saucepan and when the fat is limpid, add the same weight of fresh, saltless butter; stir until the butter and fat are perfectly clear.

Cold Butter for Buttering Molds.-It suffices only to knead some unsalted butter on the table to extract all its moisture and give it body, then put it into a cloth, sponge it off, put it in a pan in a warm temperature and work it until it becomes soft as cream.

For the Modern Kitchen

A working preparation rather than a dish: a half-suet, half-butter grease that clings to cold metal molds without pooling or turning rancid, plus a cold-worked butter for the same purpose. Both are still useful for timbales, charlottes and aspic borders.

A Little History

Charles Ranhofer spent over thirty years as chef at Delmonico's in New York, and The Epicurean (1894) is his attempt to set down the whole apparatus of a great nineteenth-century kitchen — which is why it opens with dozens of numbered "elementary methods" like this one before any dish appears. Mold butter belonged to an era of molded cookery: galantines, chaud-froids, jellied borders, timbale cases and Charlotte russes, all built in tinned copper forms that had to release cleanly at the table or the whole effect was lost. Suet was mixed into the butter because it sets harder and higher-melting than butter alone, so the coating stayed put on a mold handled in a hot kitchen. The technique fell away with the molds themselves, as service moved from the elaborate cold buffet toward plated courses through the twentieth century.