The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1770

Whole Lamb a la Theodora—Hot and Cold

Agneau Entier a la Theodora--Chaud et Froid

Bone the neck as far down as the third rib, break the rib bones in the middle of the breast, disconnect the sinews at the joints of each shoulder, and run an iron skewer through them; fasten the thigh bones well on this skewer, then break the kernel leg bone and sever the two leg bones; cross over the two handle bones, then wrap the meat in strong buttered paper and lay it in a cradle spit (Fig. 116) to cook for one hour and a half, basting it frequently during this time. Unwrap and let it acquire a fine color, then dress it on a large dish and lay around plenty of Sarah potatoes (no. 2802). Serve some clear gravy (No. 404) separately, pouring part of it over.

Cold.—After the lamb has been prepared and cooked the same as the above, let it get cold, then glaze it over several times with meat glaze (No. 402); garnish around with chopped jelly. On this jelly and all around arrange five kinds of egg garnishings, for instance eggs glazed with chaufroid (No. 2509); eggs a la Justine (No. 2505); eggs with salpicon (No. 2514), eggs a la Rouennaise (No. 2506) and eggs Juliet (No. 2504). Serve separately a tartar sauce (No. 631).

PORK (Porc).

For the Modern Kitchen

This is a banquet centerpiece from Delmonico's kitchen: a whole milk-fed lamb, boned at the neck, trussed flat on a cradle spit, and served either hot with fried potatoes or cold under glaze with a ring of composed egg garnishes. The butchery notes are the heart of it — everything else is assembly.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and this entry shows the house style exactly: a single spectacular piece of meat, offered either hot, carried whole to the table, or cold for a later meal or a ball supper, re-dressed with glaze, aspic and a parade of garnishes. Ranhofer named dishes for patrons and for the stage figures his patrons admired, and both "à la Théodora" and the Sarah potatoes served with it are generally traced to Sarah Bernhardt, whose Théodora — the title role in Sardou's 1884 play — was among her most famous parts and toured America to great noise. The cradle spit called for here was already becoming a period piece by the 1890s, a survival of open-hearth roasting in a kitchen that otherwise ran on coal ranges.