The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 1980

Pullet a la Printaniere-Glazed

Poularde Glacee a la Printaniere

Have a clean, singed pullet; break the breast bone and stuff the breast with grated fat pork mingled with truffle peelings, truss for entree (No. 178). Scald the breast in boiling water to harden the meat, then dip these scalded parts at once into cold water, wipe dry and lard with fine lardons of larding pork (No. 3, Fig. 52). Lay the puliet in a saucepan containing fragments of fat pork, roots and minced onions, salt over and steam for fifteen to twenty minutes, then moisten with two or three gills of stock (No. 194a) and allow it to fall to a glaze. Remoisten to half its height with stock and reduce the liquid slowly to half, finish cooking the pullet in this manner, basting it over frequently; when done it should be glazed to a fine color; drain it off to untruss and dress on a dish, surrounding it on both sides with clusters of new cooked carrots and small glazed onions. Strain and skim the pullet stock, reduce it until it becomes succulent, then thicken with a little good brown sauce (No. 414), serving it in a sauce-boat.

For the Modern Kitchen

This is a braise disguised as a roast: the bird cooks covered in successive reductions of stock until the pan liquid becomes the glaze on its skin. Everything hinges on adding the stock in stages and letting each addition cook down almost to syrup before the next.

A Little History

Charles Ranhofer ran the kitchen at Delmonico's in New York for over thirty years, and The Epicurean (1894) is essentially the house repertoire written down, French terminology intact. A la printanière means "in the spring manner" and in classical usage signals a garnish of young vegetables — here new carrots and small onions, glazed in butter and their own sugars until shining. The glazing of the bird itself belongs to the older poêlé technique, a covered cooking on a bed of fat pork and root vegetables that sits between braising and roasting and was standard in nineteenth-century professional kitchens. Larding a breast that will then be glazed brown may have been as much about appearance as moisture, giving pale stripes of pork fat against the dark lacquer.