The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2104

Partridge with Sauerkraut

Perdreau a la Choucroute

Cut a roast partridge into small pieces and lay them aside. With the game bones and parings some aromatic herbs and white wine, prepare a small quantity of concentrated fumet (No. 397); thicken it with very little half-glaze sauce (No. 413) and keep it in a bain-marie. Cook some good sauerkraut with a small piece of bacon, proceeding as for garnished sauerkraut (No. 2819), adding a piece of butter divided into small pats, dish it up and form a hollow in the center; into this dress the pieces of game, pour over the sauce, cover with the sauerkraut and surround this with the bacon cut in slices.

For the Modern Kitchen

Ranhofer writes for a brigade with a stockpot already going, so the recipe is really an assembly job with two cross-references doing the heavy lifting. Read it as: braise sauerkraut, carve a roast bird into it, bind it with a strong game reduction.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of his thirty-odd years in the kitchens of Delmonico's in New York, and it is essentially a French professional's book written in English for American use. Perdreau a la choucroute belongs to the Alsatian and southern German side of the French repertoire, where sauerkraut braised with pork and a bird is standard autumn cooking; partridge with cabbage in some form appears in French kitchens well before Ranhofer, and the pairing is usually explained as a way of softening the dryness and strong flavour of a small game bird with fat and acid. What marks this version as restaurant work rather than home cooking is the moulding: the kraut is dished into a ring, the carved game hidden in the centre with its sauce, then covered over and encircled with slices of bacon, so the plate arrives looking like a mound of sauerkraut and reveals the bird only when served. The cross-references to a fumet and a half-glaze assume a kitchen where both already exist in the larder, which is the single biggest gap between Ranhofer's world and a domestic one.