The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2270

Cutlets of Squabs in Papers

Cotelettes de Pigeonneaux en Papillotes

Draw, singe and clean nicely some young pigeons, cut an incision in the skin between the rump and the breast; thrust the legs inside, split the pigeons in two lengthwise and pare them to resemble cutlets, then fry lightly in butter with lemon juice without letting acquire a color; set them under a weight and trim them again into the required shape. Place some oil, grated fat pork, chopped shallot, mushrooms, parsley, salt, allspice and eighth-inch squares of ham into a sautoir; when these ingredients are well fried, but not browned, add some half-glaze sauce (No. 413) and Madeira wine. Coat some heart-shaped sheets of paper with oil, on one of the halves lay a thin slice of fat pork, over this some of the above prepared sauce and then a pigeon cutlet on top, finishing with more of the sauce and a thin slice of cooked ham; fold the empty half of paper over on the full one, pinch the edges well together to enfold all and enclose hermetically, then lay them on a well-buttered dish intended for the table; set it in the oven to brown the paper and heat the cutlet. The paper should swell up; serve as soon as done.

For the Modern Kitchen

A Delmonico's kitchen exercise in shaping and steaming: the squab halves are trimmed to look like cutlets, then finished sealed in oiled paper so the sauce perfumes the bird as it heats. The one thing to get right is the seal — if the edges of the paper are not crimped tightly the packet will not inflate and the flavor escapes with the steam.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of thirty-odd years as chef at Delmonico's in New York, and this entry shows the house style plainly: a small bird disguised as something else, plated in a form the dining room would recognize. Cooking en papillote "as a heart so the crimped edge runs unbroken around the curve " is generally traced to eighteenth-century French practice, where oiled paper protected delicate items from direct fire heat and later, in a closed oven, trapped steam and aroma. Squabs are often said to have been a fairly common item in nineteenth-century American markets rather than a luxury, though how far that held in a Delmonico's context is uncertain; domestic pigeons were raised in lofts for the table, and wild pigeons were shot and shipped by the barrel until the passenger pigeon collapsed toward extinction in the same decades this book was written. The insistence on paring the halves "to resemble cutlets" is worth noticing: Ranhofer's kitchen was constantly translating humble material into the vocabulary of the côtelette, which the carriage trade knew how to order.