The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 2570

Pig's Head

Tete ou Hure de Porc

Have a well scalded and cleaned pig's head, singe and bone without destroying the skin, beginning from underneath; fill it with layers of fine pork forcemeat (No. 68), placing on each one some lardons of fat pork (No. 1, Fig. 52), pistachios, truffles and quenelle forcemeat (No. 89), into which chopped-up ham has been mixed, and then rolled into the same sized pieces as the lardons. When the head is filled sew it up and reshape it as before, then wrap it in a cloth and cook in a stock (No. 194a) for four hours; unwrap and return it to the cloth to give it the shape of the head; unwrap once more, pare well, glaze over with meat glaze (No. 402), and dress on a low socle; put in glass eyes and place natural fangs in the mouth; decorate the head with tongue, hard-boiled egg-white and pistachios; surround with chopped jelly and a border of croutons (No. 2442).

For the Modern Kitchen

This is a galantine built inside the skin of a whole pig's head, meant as a cold buffet centerpiece rather than as dinner. Ranhofer writes it as a set of cross-references, so the real work is assembling four other recipes before you start.

A Little History

Hure is the old French word for the head of a boar, and the decorated boar's head was a feast centerpiece in Europe long before it became a domestic pig's head dressed up with glass eyes and bought tusks; the Christmas boar's head processions of English colleges belong to the same tradition. By the time Charles Ranhofer published The Epicurean in 1894, drawing on his decades as chef at Delmonico's in New York, the dish had become a showpiece of the cold buffet, which is why it sits in a chapter of garnishings and displays rather than among the roasts. Its placement tells you what such kitchens were for: a brigade with time to bone a head, build three separate forcemeats and carve a socle existed to be seen, and a sliced hure revealing its mosaic of fat, pistachio and truffle was an advertisement for the house. The technique itself is straightforward charcuterie, closely related to the head cheese and fromage de tête that the same animal produced in far humbler kitchens, minus the ornament.