The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3017

Croquettes of Chestnuts

Croquettes de Marrons

Select four pounds of fine, sound chestnuts; slit them on one side and put them to roast in a large perforated pan; cover and toss at times until done. They may also be cooked by placing them on a baking sheet and then in a hot oven to roast without blackening. Skin them, removing both the skins, and picking out twenty of the finest, pound the others to a fine paste. Add, while continuing to pound, two ounces of vanilla sugar and a little raw cream. Pass this preparation through a sieve and put it into a saucepan, beating into it six egg-yolks, then dry over the fire while stirring. Pour this on a baking sheet and leave till cold, then divide it into parts and of each one make an inch and a quarter diameter ball; in the center of each insert one of the roasted chestnuts split in two; mold the croquettes to the shape of a chestnut, dip them in beaten eggs, roll in white bread-crumbs and fry in very hot clear frying fat; when done, drain and sponge, besprinkle with vanilla sugar and dress on a napkin.

For the Modern Kitchen

A chestnut-paste croquette from Ranhofer's Delmonico repertoire, shaped and breaded to look like the nut it is made from. The work is all in the peeling and in getting the paste dry enough to hold its shape.

A Little History

Ranhofer wrote The Epicurean (1894) as a record of what came out of the Delmonico's kitchens in New York, and this entry is characteristic of the book's dessert croquettes: a sweet paste bound with yolks, breaded and deep-fried in the same manner as a savory chicken or veal croquette. The conceit of hiding a whole roasted chestnut in the center and then molding the croquette back into the shape of a chestnut is a piece of nineteenth-century restaurant trompe-l'oeil, of a piece with the era's taste for dishes that impersonate their own ingredients. Chestnuts were a far more ordinary autumn staple then than now — American chestnut was still standing in quantity in the eastern forests, the blight not being identified until 1904 — and they turn up throughout the book as purée, as stuffing, as marrons glacés and here as a sweet entremets. Vanilla sugar, made at home by burying a bean in a jar of sugar, was the standard way of perfuming a pastry kitchen before extract became cheap and reliable.