The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3040

Brioche and Cream Fritters with Sabayon

Beignets de Brioche a la Creme au Sabayon

Butter a tin mold forming a box four inches wide by three inches deep and eight inches long, with a hinged cover; fill it half full with brioche paste (No. 130); let it rise in a mild temperature until the box is full, close the cover and fasten the catch, then bake it in a moderate oven. As soon as done, unmold and lay it on a wicker stand and keep it in a cool place to use only twelve hours later. Now pare and cut it up into three-eighths of an inch thick slices; cut these straight through the center so as to obtain oblong pieces three inches long by one and a half inches wide. Dilute six egg-yolks with one quart of double cream and two ounces of vanilla-flavored sugar; run the whole through a sieve and dip into it the pieces of brioche so that they soak in well; drain them off and plunge into hot frying fat, then drain again and wipe; besprinkle with powdered vanilla sugar and dress in a pyramid. Serve a sabayon with Madeira wine separately. (See cabinet pudding with sabayon, No. 3096.)

For the Modern Kitchen

A fried bread pudding in disguise: rich brioche, staled on purpose, soaked in thin sweetened cream and fried. Ranhofer's proportions are sound, but the timing and the frying temperature carry the dish.

A Little History

Charles Ranhofer ran the kitchens at Delmonico's in New York for over thirty years, and The Epicurean (1894) is his attempt to set down the whole restaurant repertoire in one volume — some 3,500 numbered items, cross-referenced like an engineering manual, which is why the brioche here is simply "No. 130." The dish itself is a grand-restaurant refinement of the thrift trick behind pain perdu: stale enriched bread revived in egg and cream. What raises it is the deliberate staling, the purpose-baked square loaf cut to identical oblongs, and the sabayon served apart. Sabayon is the French form of the Italian zabaglione, generally traced to northern Italy and usually made with Marsala; Madeira was the fortified wine most at home in nineteenth-century American kitchens, and Ranhofer reaches for it repeatedly. The pyramid dressing belongs to French presentation generally, while the arrival of a hot entremets as its own course near the end of a long menu follows from the era's service à la russe.