The Epicurean
A Treatise on the Culinary Art — Charles Ranhofer of Delmonico’s — 1894
No. 3092

Pudding a la Benvenuto

Pouding a la Benvenuto

Cook five to six large pancakes and cut them up into inch-wide bands. Butter a dome-shaped cylindrical mold and line it with these bands, one overlapping the other. Put seven ounces of flour in a saucepan with one pint of boiling milk and thicken it on the fire to obtain a smooth paste; remove it at once and add to it two ounces of butter, a pinch of salt, four ounces of sugar, two ounces of grated cocoanut laid on a paper-covered baking sheet and slightly roasted in the oven, the peel of one lemon and eight raw egg-yolks; return it to the fire, stirring continuously, and as soon as the preparation attains consistency incorporate into it slowly the well-beaten whites of five eggs. With this fill up the mold, alternating it with layers of pancake parings, first covered with apple jelly (No. 3668) and then rolled up. Set the mold into a saucepan with boiling water reaching to half its height and place it on the range; when the water boils, finish cooking in a slow oven for forty-five minutes. As soon as this is accomplished take out the pudding, let it stand for five minutes, then unmold it on a dish and serve at once with a sauce-boat of orange syrup thickened with arrowroot and flavored with maraschino.

For the Modern Kitchen

This is a steamed pudding built on a flour-and-milk panade enriched with yolks and lightened with whites — closer to a soufflé pudding than to an English boiled pudding. It is a two-stage assembly, and the timing of the two stages matters more than anything else in the method.

A Little History

The Epicurean (1894) is Charles Ranhofer's record of some thirty years as chef at Delmonico's in New York, and its dessert chapters run to dozens of numbered puddings, many of them named for patrons, performers, cities or historical figures in the fashion of grand-restaurant menu writing. Benvenuto may be intended for Benvenuto Cellini, the Florentine goldsmith and sculptor, though no connection to him is documented and the naming was decorative, a way of giving a dish an identity on a printed carte. The construction itself is thoroughly French: a pouding in this tradition is a bound, molded, oven-steamed entremets, and the flour-and-milk panade lightened with beaten whites is the same base that supports Ranhofer's other hot puddings, varied here by the pancake lining, the toasted coconut and the maraschino syrup.