The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Chicken Braise, Santiago

Cut off the head and feet of a tender three-pound chicken. Singe, draw and truss, cover with very thin slices larding pork and firmly tie around with string. Season with a teaspoon salt and half teaspoon pepper, place in a roasting pan, set in a brisk oven to roast for twenty minutes and turn once in a while, then remove. Heat in a saucepan two tablespoons oil, add two seeded green peppers cut into quarters, one small peeled and finely sliced Bermuda onion, three red sweet peppers cut in halves and one bean sound garlic. Lay the chicken over the vegetables, add three peeled, crushed red tomatoes, a half pint white broth, one and a half gills demi-glace and a saltspoon of diluted saffron. Cover the pan and set in oven for forty-five minutes. Remove, dress the chicken on a large dish, untie, remove the lard and untruss. Skim the fat from the surface of the sauce, add a half teaspoon freshly chopped parsley, boil for five minutes, pour the contents of the pan over the chicken and serve.

For the Modern Kitchen

A hotel-kitchen braise built on two French props — barding fat and demi-glace — over a Spanish base of peppers, tomato and saffron. Most of the work is translating the old measures and knowing which oven setting is meant when.

A Little History

This comes from Alexander Filippini's The International Cook Book (1906), a volume advertising over 3,300 recipes drawn from his years at Delmonico's in New York, and it seems to show a habit of hanging a city's name on a dish to signal its flavour rather than its provenance. "Santiago" here means Spanish and Spanish-American: green and red sweet peppers, tomato, garlic, onion and saffron ecognised as Iberian, whether he had Chile, Cuba or Galicia in mind. Underneath, the method is entirely French, with the bird barded and trussed, browned hard, then braised in a covered pan on a bed of vegetables and finished with demi-glace from the sauce station. That layering is characteristic of the grand-hotel cooking of the period: a classical technique applied to a foreign palette, then named for somewhere far away. The saffron "diluted" before use may be a small mark of a working kitchen, where steeping threads in advance would let the colour run evenly through a sauce instead of streaking it.

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