The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Chicken Saute, Mexicaine

Singe, cut head and feet off a tender two-and-a-half-pound chicken, draw, cut it in twelve even pieces, season with a teaspoon salt and half teaspoon pepper. Place in a sautoir two tablespoons good olive oil or two tablespoons melted butter, add one bean garlic, heat oil on fire until garlic obtains a dark colour, remove garlic, then place chicken in pan and cook for six minutes on each side.

Cut a good-sized white onion and thick, seeded green pepper in half-inch pieces, add them to chicken, stir well and fry for ten minutes, tossing quite frequently meanwhile. Add two peeled, finely crushed, fresh tomatoes, mix well again, cover pan, set in oven for twenty minutes, remove, dress chicken and ingredients on a hot dish, sprinkle a little chopped parsley over and serve.

For the Modern Kitchen

A straightforward sauté that assumes a bird bought whole and undressed, and an oven whose temperature the cook judged by hand. Two numbers need supplying: the pan heat and the oven.

A Little History

Filippini is generally associated with Delmonico's in New York, and his International Cook Book gives dishes national labels in a way that says more about turn-of-the-century restaurant menus than about national cooking. "Mexicaine" here is a kitchen label, not a claim of authenticity: in the French professional vocabulary of the period, a garnish of onion, sweet pepper and tomato seems to have attracted national names loosely, with the pepper doing most of the work of identification. Sweet peppers and tomatoes had both crossed from the Americas to Europe centuries earlier and come back as French technique; what arrives on the plate is closer to a Basque piperade than to anything cooked in Mexico. The method itself — brown, add aromatics, moisten, finish covered in the oven — is the standard sauté of the classical repertoire, and Filippini repeats it throughout the book with the garnish swapped out.

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