The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Creme, Nantua

Heat one and a half ounces butter in a saucepan, adding one finely sliced carrot, one sliced onion, a sprig thyme, two bay leaves, a half tablespoon whole black peppers and one and a half pounds live lobsters cut in small pieces, gently brown fifteen minutes, then add one pound fresh halibut cut in small pieces. Moisten with quarter pint white wine, one pint crushed tomatoes and two quarts water. Season with two teaspoons salt, two saltspoons cayenne and a saltspoon grated nutmeg, adding three ounces raw rice, mix well, and slowly cook one hour, stirring at bottom once in a while. Strain through a sieve into a basin, then through a Chinese strainer into another saucepan; add two gills cream, one tablespoon brandy, a half ounce good butter, briskly mix with wooden spoon until it comes to a boil, pour into a soup tureen and serve.

For the Modern Kitchen

A shellfish bisque in the classic French manner, thickened with rice rather than flour and finished with cream and brandy. The measurements are pre-standardization but all translate cleanly.

A Little History

Anything called Nantua in a French kitchen refers to the town of Nantua in the Ain, on the edge of the Jura, whose lake was famous for freshwater crayfish; the classic sauce Nantua is built on crayfish butter and crayfish tails, and the name is often said to have drifted into a looser label for shellfish-enriched cream preparations. American cooks of this period rarely had access to \>, so lobster stands in. The method here is the standard bisque technique of the era: aromatics and shellfish browned in butter, wetted with wine and water, thickened with rice, then forced through a sieve and a chinois so that the shells give up their flavour and are then thrown away. The brandy and the small piece of raw butter added at the end are both textbook Escoffier-era finishing gestures, meant to add perfume and gloss rather than substance.