The International Cook Book

Over three thousand recipes from the man who cooked at Delmonico's — French sauces, Italian pastas, Indian curries and American pies, the whole eating world of 1906 in one volume.

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Duckling Braise, a L'Orange

Cut off head and feet from a five-pound duckling. Singe, draw, wipe and truss. Place a mirepoix at the bottom of a braising pan with an ounce butter, lay duck over it. Season with teaspoon salt and half teaspoon pepper, then lightly baste the duck with a little melted butter. Set in oven to roast twenty-five minutes. Draw the duck to oven door, carefully peel and skin two sound juicy oranges, add the rinds to the duck with four tablespoons currant jelly, two gills demi-glace, and one gill broth. Cover pan and reset in oven forty-five minutes longer. Remove, dress bird on a large dish, untruss, then cut the peeled oranges in halves and finely slice them, remove seeds, and arrange around the dish, one overlapping another. Reduce sauce on a brisk, open fire ten minutes. Skim fat from surface. Strain sauce through a Chinese strainer over the duck and serve.

For the Modern Kitchen

A restaurant-kitchen recipe written for cooks who already had stock pots and a sauce station going. The two things to sort out before starting are the demi-glace and the fact that the oven temperature is never stated.

A Little History

Duck with orange is a fixture of nineteenth-century French professional cooking, where it is usually caneton à la bigarade after the bitter Seville orange that gave the classic sauce its edge; the sweet-orange-and-currant-jelly version here is a softer variant of the same idea, of a kind that crossed into hotel and restaurant menus on both sides of the Atlantic. It is often said that the pairing came to France from Italy with Catherine de' Medici, but that story is traditional rather than documented, and the more visible history is simply that ducks are fatty and acid fruit cuts fat. What dates this particular version is the demi-glace: a page that casually calls for two gills of it was written for a kitchen with a stockpot permanently on, which is exactly the world of the large restaurant kitchens that produced books like this one.

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